surely one of the most famous song that franck produced in his entire career.. the combination between him and mandel turner (naturally born in usa) was explosive the day they created this songin avery naive and uncalculated way .it all started from a beat on a mpc with a minimal hook and a bassline.. franck called his long time friend mandel turner to join him in his studio and explained him that the idea was not to do a classic garage song but to make it in a modern way. the result was to work on a strong chorus without verses etc .that we can found on every classic songs. we gived a demo track to appolonia guys wich were in ibiza starting their new residency at dc10 and it has been played the whole summer and all clubbers in ibiza knew this song and became a underground hit when it came out.. franck asked to his close friends (seuil etc..) and producers to give another interpretation of this song because he knew that his friends loved already this song.. so they gave to this song a new life few month later after the success of the original release. today we got ion one wax different versions of this song for different time to be played and different audiences.

german producer silent-one presents an ambient four track release on his own label intimate silence this february. part of the from another mind crew longside obscure shape & shdw and javier ba&#776,,hr, silent-one (real name benedikt merkl) launched intimate silence as a platform for ambient music in 2016. since then the label has hosted artists like ressort imprint regular g&#322,,o&#769,,s, taapion records co-founder pvnv and arsenik records’ dold, however this release sees the label founder make his very own debut. fuzzy atmospherics and chilling chord sequences set the tone for the ominous ‘human border’ before ghostly synths and twinkling melodies work together to form ‘decide your fate’. on the flip, mesmerising arpeggios meander within an echoing setting in ‘sign of anxiety’ until the murky ‘lost souls’ pairs dusky elements with a spoken word sample to create a sci-fi aesthetic to conclude the release.

the mysterious trancemaster smashes into orbit, obliterating our blue earth’s crust and pumping trance euphoria into our gravitational pull. no one escapes unfazed. 4 tracks of trance so deep it will make you weep.

greta cottage new boy duccio lp jumps into the fray. flipping a girthy cut & bringing together a pack of melody heavy boompty tech house arse wobblers. proceedings begin with late night swing - a delicately laced flutey chugging acid pumper ... chunky for those big rig nights. proggy as you like hypeway follows the beauty of spaceways, twinkly and fuzzy like the morning after. sambao brings solid mid west rave gear to mind.. prepped for a wig top knock off the old block. it sounds extatic in jediland, can t feel me legs - go and make some friends in the toilets, then stagger back to the fray…

every tune of the 12- is deeply inspired by the origins of the mid 90s melodic jungle & d n b movement, namely by the greats of that era: peshay, source direct, ltj bukem and photek. ray & karl have worked together on a number of projects over the last year, the most recent one being a split 12- on the other planet of lyon. while ray has been connected to the lo-fi house scene and acts like baltra, dj boring and dj seinfeld, karl has been more low-key, producing music that s relaxed and organic, mainly inspired by naature and the musical movement around frits wentink and max graef. for this release they worked closely together, decided to stray off their usual paths and combined their different styles to form a well-rounded record.

for the first release of 2018 we welcome harry wolfman to the outplay family! having followed his work for the last couple of years we re very happy to have him deliver this varied 4-tracker, which very well might be some of his best work to date. the a side starts off with hitch . a warm and dusty groover driven by rhodes, a rubbery bassline and a thudding kick. a lovely string piece in the middle of the track slowly builds up to the break for it to return to the head nodding groove soon after. the added percussion gives it a nice lively feel as well. pigs in blankets sets the pace a little slower, but the funk goes on. the track incorporates 80s style samples with some excellent synth and chord work. perfect for a warm up session. starting on the b side harry takes it up a notch with nemoto , which will be a definite stomper for the dance floor. it takes you on a 9 minute journey of rolling bumpy basslines, screaming distortion leads and hypnotising synth work. finally, to ease things off, sts-136 (final call) comes in at a slow 88 bpm pace as a perfect closure to the ep. dreamy pads, piano licks and a calming marimba melody combined with a beat which feels like a warm blanket will make you wander off for a moment

new zealand s most prolific j-tek enthusiast dan silk aka worldwide epidemic returns to the myor camp, this time for a solo release on the diamond life sublabel. on “aroha” he finds himself exploring territory slightly removed from his usual 4x4 jungle techno habitat. extended pads, techy synth stabs, sugar coated diva vocals and spot of amen choppage courtesy of label boss coco bryce make for a top notch 7 minute atmospheric d&b junglist excursion. “enterprise” offers everything one might have come to expect from mr. silk: his signature offbeat break programming layered with a 4x4 kick drum, instantly recognizable synth melodies and a healthy dose of pads. hardcore in its most gentle form.

five cuts inspired by research & destroy s text of the same name, which circulated in the midst of a walk-out at the university of california in 2009, and underlined a crisis of autonomy in higher education. the label founder s second solo release on brenda attempts to depict this anxiety, waste and make-believe.

syncrophone is pleased to welcome shuffles to the family! shuffless is a technohouse-duo hailing from the forests of middle-finland. their musical inspiration comes from the sounds of legendary techno and house cities, but in production they mix it with a finnish twist. they make their music with a selection of hardware gear, and record the tracks live in the night to get the feeling right.here is one of the two ep scheduled for the early 2018.

piff records continues to unravel its catalogue by calling on an artist slightly closer to home. cardiff-based harrison bdp adds to his already prolific discography with an ep that spans from mellow dub techno vibrations, all the way up to wide-open, rave-driven acid riffs.
harrison’s a-side revels in a deep pool of soft bubbling synth chords, moulded to the backdrop of tight rolling drum work and occasionally teasing the wider, heavier energies to be found on the flip.
the b side ripples with ricocheting, delay-laden soundscapes, rock-solid drums lines, and nostalgic lead synth lines that make you glad that you’ve caught on to this talented producer early on in his promising career.

adesse versions has been dropping some choice originals and edits on a host of renowned and respected labels for the last four years and we’re proud to add him to the esteemed list of artists to release on delusions of grandeur. from early white labels on make love in public spaces and his own adesse versions label through to his recent outings on heist, numbers, razor n tape, let’s play house and local talk, he continuous to impress with his raw, sample-heavy production which brings pure energy to the dance floor. for his pulp fusion ep, adesse presents three diverse and brilliant cuts, all showing off his deft touch in the studio and providing what we feel is his strongest work to date. pulp fusion leads the a side with cutting clavinets doubling up the syncopated bassline, a super-charged romp where disco meets filtered house resulting in a track with widespread appeal despite its raw and underground approach. the a2 entitled fade out drops the bpm’s for a string-drenched, philly soul jam, heavy on percussion but with a gentle lilt and balearic vibe that makes it perfect for the wind down. last but definitely not your average b side filler we have the mighty raw in its live edit incarnation. militantly minimal in sonic palate, this jacked up house track simply rocks the spot thanks to adesses ballsy arrangement,production prowess and nasty bassline, rounding off this ep with a punch

orgone takes on 13 funk and soul classics! otis redding, funkadelic, the meters, aretha franklin, betty wright, and booker t are just a few of the artists orgone cover on this mixtape collection with some help from friends as well! expertly recorded and performed, you could make an argument for some of these being better than the originals, but we’ll suffice it to say that its a simply killer set from beginning to end

cold busted has navigated the smooth seas to unearth sailing, the new album from moroccan guitarist and beat-flinger saib. the casablanca- based producer has steered his sound into warmer waters. mixing tempered hip-hop beats with jazzy vibes and a lounge sensibility, saib. touches on a style thats both chill and opulent. the albums opener, archipelago, sets the scene with gentle piano, swirling strings, and beachside sounds that would make martin denny proud. tropics pushes the agenda further, featuring delightful vibraphone lines, stand-up bass, and boom bap beats, providing the perfect soundtrack for poolside cocktails. the sleepy crooning of blue memories, the future-retro sing-a-long of mermaid dreams, and the guitar/vibes interplay of pastel provide other highlights. sailings twelve songs show saib. as an artist capable of bringing a sunny climate to any listening environment

after shifting through a few different monikers the last year deepblak rhythm czar afrikan sciences returns to form. laced always with his elastic funk forward grooves the reciprocity ep continues to build on his legacy. one that has consistently morphed diasporic rhythms into new colors. creating new space on the dance-floor as well inside the mind. four independent yet intertwined tracks all meant to make you oscillate inward outward.

hold tight for a shocking, rare discovery from the dusty vaults of a forgotten 90s breakbeat house outfit s minidisc archives. the two tracks that make up the repertoire of the two bad jews crew are steeped in the wistful optimism of the good old days - they just don t make them like this any more. -holland memory- rolls on a measured use of a break and a simple chord sequence that could melt on for days, plus there s space for the odd cheeky sample to remind you of the unpretentious era these tracks herald from. -tony hayers (dub)- meanwhile ups the dx7 funk with a rollicking house cut that would sit right with any true deep house head who wants a little uk attitude in their soul stew.

matthias wagner has caught our soul and cooked for us 3 minimal house tracks with a modern vibe. make sure to grab one copy, there will be only 300 of them available. hope you ll feel something while listening to jooice 01

portuguese artist ka§par gives parisian label escapade its third release. the four tracks span across a wide range of electronic sounds, telling a story that calls on many emotions. ‘wail of a loon opens the record with an experimental atmosphere. after this laid back introduction, ka§par goes into a much stronger style: ‘riggeds energy and catchy, twirling melody make it a total banger. on the b side, the mood gets much warmer and groovy. ‘vital is the perfect tune to warm up a dancefloor, thanks to a swinging rhythm, mesmerizing vocal samples and funky synth lines. ‘alma douro rounds up the record with strong jazzy vibes. beautiful chords and piano solos never dissapoint!

mona musique returns with more delectable deep house for its second release: the debut ep from veteran dj lea lisa, featuring rich medina. consistently flying the flag for house music for over 15 years, lea lisa is one of those understated djs responsible for pushing the sound, regardless of electronic trends. a mainstay through her residencies in lyon and toulouse and integral involvement in respected record store innerdisc, lea has been cultivating her production skills for some time behind the scenes, until now. a long time friend of label boss nick v, playing each other s parties back in 2004, mona musique presents its second release walking la mona. inspired by the work of her mentor larry heard and her close friend kerri chandler, imagine that is classic house: simple, effective but above all emotive. complimented by the haunting deep tones of rich medina, his conscious spoken words echo discontentment around the current political (or global) climate. on the flip side lea reminisces of the early 90s with a revived spirit on intention. certainly one for the dancefloor, it is lea lisas subtle production work in the beats, synths and organs that make the difference here.

dedicated to giving newcomers an honest platform to showcase their talents, this run of compilations is to be comprised of crystalline electronic music, spanning out across various forms. the inaugural offering sees villanova and time team up to reshape la chicas oasis with brushstrokes of subtle melancholy, teho fuse contemporary deep house with ukg and yeuz pair of idiosyncratic compositions, for the modern dance floor. label founder, agoria, ventures south of one hundred and ten beats per minute on his remix of embers, cloaking stefan smiths original in humility and innocence. a few words from the artists … about their tracks oasis: the original track brings us a very unique vibe, the work of the analog textures implement perfectly the unique voice of la chica …as soon as i listen to it i was hooked to make a remix that would keep the same feeling .. but adding the energy and dynamic to make it floor friendly. embers: other than music, stefans only other passion in life is reading samuel beckett. whilst reading his radio play embers he got a call from nicolas becker asking him to contribute some work to a project. he set about composing this track with becketts words reverberating around his head. this track somehow made it into the hands of becketts friend/collaborator agoria and here we are.

man power his raw electronic sound, organic flourishes and diverse selection make him a perfect match for dgtl, both on stage as well as on the imprint. next to releasing a steady flow of records on established labels like esp institute, optimo trax, correspondant and hivern discs, man power is running his own shop as well: me me me. this gives him an outlet to release music by both friends and himself. for his release on dgtl records he created a three-track ep called apologue ep, that showcases just two of different sides of his multi-faceted musical scope. the a-side features two firm, acid influenced tracks. the first of these two, the duelist, is an emotive house record, with a soundscape of piano melodies, synths and syncopated percussion laid on top of an acid bassline. el mago del tiempo features heavy hitting kicks combined with a sharp synth pattern. it has a long build up that keeps evolving throughout the entire composition. halfway through, the track breaks in to a raw and fierce rhythm accompanied by yearning, drawn-out synth pads. on the flipside, put your hands on the car (and get ready to die) brings back memories of a long gone past with nods to balearic pop, ebm, and the soundtrack work of stewart copeland, james horner, and jan hammer. this multi layered production has a warm and analogue sounding feel to it that rounds off a 3 dimensional release.

growing bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of per-cussion obsessives for a supernatural mission into the heart of the rhythm. dressed in the pitch black of du&#776,,sseldorf stands wolf mu&#776,,ller, master of the tropical drums and seven time salon des amateur breakdance champion. repping cologne and berlin is niklas wandt, germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demen- ted euro dance. standing toe to toe in a no holds barred, no drum unstruck groove contest, these two titans will make you swing your pants like a crash bandicoot victory dance... so stretch out and step in to ‚instrumentalmusik von der mitte der world

love & loops is back! after a long time since our last release, we returned with a very special and expected ep, this time ale castro joins the legendary voice of house music: mr. robert owens !!! i come to you ep was created between argentina and berlin the city where robert and ale meet for the first time. after forging a beautiful friendship they agreed to give back to the dance floor something that was missing, the message of love, in times where the music mostly has no voices and has excessive drops all time it s time to go back a bit to the roots, it s time to sing again all together about love, respect, peace, and celebrate that on the dance floor we are all one and we are all the same. beautiful arrangements by the galactic keyboard master stephanos result in 3 beautiful songs that together with an excellent remix of the secretary of love manuel sahagun make up this beautiful and groovey vinyl that you will not want to miss in your collection, love & loops records, music made with much much much much love, loops, and some random machines ...

10inch in full color tip on sleeve. musicians make albums. but in this case its different. the four tracks on this ten inch release were created in between. its an intermediate piece that sits between two albums, reflecting on a series of special moments and special evolutions of black flower.

d-force and yence505 did an awesome collab creating 4 tracks with a warm mix of styles. house, techno, progressive all in one to make this a beautiful ep creating sunny vibes.

the album is titled timespan and is by the veteran pittsburgh artist shawn rudiman and will be released on november 24th worldwide on 2xlp and digital. the album is a carefully curated journey through almost 20 years of shawn s music productions. the tracks collected here--the majority of which have not been heard outside of shawn s studio--showcase a producer with seldom matched knowledge of studio techniques, while also hinting at his world renowned live performances. having access to a vault of hundreds of unreleased compositions, we believe this is an important step in documenting shawn s contribution to pittsburgh and american dance music. * artist statement: -all of these tracks are simply snapshots of my life moments. they go from base-level warehouse to more cerebral sophistication. so, take them as such. timespan sums it up well. some songs are almost 2 decades old, some are fresh. it s a paragraph written with words that have years between them. somehow they still all sort of make sense together.- - shawn rudiman

50th anniversary edition of aretha franklins critically acclaimed classic on 180 gram vinyl.

last year i linked up with redbull france. they brought me out to paris for a week, paid for my records, and let me craft beats in their studio (i ended up moving the equipment to my hotel room due to smoking restrictions). the idea was to use strictly french samples, then hook me up with a bunch of dope new young artists from france and brussels to make songs out of the beats. the final piece to the project was a sold out show in france where i presented each artist and they performed both the songs we did and their own hit songs. the project came out dope, i linked up with some really talented artists, and ended up making more than enough joints. this is the instrumental version of the project. only 1000 pieces made. enjoy. alchemist

this is the 2nd installment of sable noir recordings: the jojoe ep, a 4 track vinyl exploring a deeper, sometimes darker minded side of the 170 spectrum.
the first 2 tracks by jojoe are some really deep, clean, and strong tunes, and also dancefloor destroyers, we saved them for years until finding the right idea to release them and this is whats happening now with this vinyl.
the first track “untitled” is a deep and dark minimalistic tune with a really strong bassline and some great cuts that makes it a fantastic dj tool for your sets.
the second track “97” is a clean and deep tune driven by some analog pads and a reese bass that will make a great job on any systems! watch out for the switch in the second drop!
the 2 tracks on the b-side are by joakuim the first one “to chant down babylon” is a halftempo dub influenced tune @ 170 bpm with a strong vocal sample and dubby bassline! the last track “snow” leads you onto a world of deep and cold atmospheres with a rolling beat and bassline!
this vinyl is done in the memory of joe holland, beloved friend and music producer. this ep is done for him!

the precision of naming takes away from the uniqueness of seeing. in the case of yan cook, all come together in harmony, yan joins the label with 4 very well crafted cuts, after a very steady profile and career, now is the time to make him shine even more.

after releasing cdh006 by pascal viscardi, la chinerie s head honchos g boï et jean mi pursue on their will to make an artistic turn on the label, staying away from the comfort zone and trusting artists with a clear artistic bias and a style of their own to instill. so, here is cdh007 – chienne d humanité by metaphore collectif, marseille based artist donarra. a delicate mixture of greased synthesizers, balearic pads, strong chicago beats & subtle detroit electro. for all possible use only.

new to the naar stable, in:state & giuli make their debut in stunning style.visitoz is a straight forward techno affair, as bumping as it is surprising. using a deceptively simple gated arp and horn to dazzlingly complex effect. the track is potentially the most peak time naar has gone yet, and it s an incredibly welcome addition to their canon. on remix duty lauer takes a hold of the main arpeggio and turns it monstrous in the style of liasions dangeruese, yet balances this with his trademark lightness of touch and his ear for a heart wrenching synth line, creating an instant classic that feels like it was beamed straight in from 1986. -plus 1- has been sent from a parallel dimension where the evolution of music took a turn so different that proto garage stands where proto house should be. the track has the step and swagger of the most compelling end of the 2 step movement, but balances that with the surprising naivete and earnestness found in italo, ebm and early forays from chicago. finishing things off, lizards return to the label for a welcome encore following last years success with their 1st release,tanni.

david gtronic is very well known for being a fundamental member of the famous vatos locos crew and for his badass releases on dissonant, kina music or sci-tec records. david was born in colombia and he s now based in berlin, from where he delivers this awesome ep called kryptoo.a kryptoo is a minimalistic journey of rough, metallic, cosmic percussions and spongy bass lines. deep pads and chords in constant evolution make these tracks a true hypnotic experience. topping it up we ahave dan farserelli remixing sequence, probably the punchiest and most direct track in the album

initially the music by the knob, the finger & the it was conceived as some sort of ritual background ambient during extensive electroacoustic picnics by the river or in the fields. in the course of these sessions, the knob, the finger & the it make use of battery powered miniature electronics, diy synths and acoustic bricolage, which mingle with the sounds of the open space: some wind, a crackling campfire, a train passing by over a bridge nearby...

hip-hop-urgestein, produzent und dilated-peoples-rapper evidence meldet sich 2018 mit einem neuen album zurück. »weather or not« heißt seine vierte soloplatte, der nachfolger von »lord steppington« aus dem jahr 2014. mit »throw it all away«, »10.000 hours« und »jim dean« schickte michael perretta, wie evidence mit bürgerlichem namen heißt, bereits mehrere vorboten ins rennen. und die zeigen, dass der rapper seinen ruf als ikone völlig zu recht genießt. für die produktion von »weather or not« sicherte sich evidence die unterstützung des »who is who« der szene, darunter dj premier, nottz und langzeitpartner the alchemist. als gastmusiker holte er sich außerdem slug, catero, defari, krondon, mach hommy, styles p, rapsody, khrysis, jonwayne und rakaa ins studio. das resultat ist ein 16 titel starkes vorzeige-rapalbum. nichts anderes erwartet man von einer legende.
zufällig farbiges doppel-vinyl im 3fach-klappcover inklusive 12-seitigem booklet mit fotos von stephen vanasco.

21st century urban electric gospel reggae. warning: this tune might make you believe in god...johndelahughes, discogs

1976 the brothers were an emerging disco soul septet whose blistering arrangements and ferocious playing had earned them a cult following and a major label deal. little did they know that only a few years after the release of brothers theme that it would be a huge record on the dance-floors of nycs paradise garage and chicagos music box with both larry levan and ron hardy hammering the record behind the controls every night. the playing of the group paired with the production prowess of the legendary producer, writer and arranger warren schatz (frankie valli, dolly parton, vickie sue robinson and more) combined to make a fairly heady brew of disco, orchestral overtures and bombast that just ignites. proper disco music in it s purest form, still doing damage today! often sought after by the deepest of disco heads on a white label promo 12inch this rare ep now sees a fully legit reissue, made in conjunction with above board distribution and rca is sourced from their vaults using original materials and remastered and repressed to the highest standard for 2018 and featuring all original 1976 rca label artwork.

jackie moores 1979 disco bomb this time baby is one of the biggest tracks of the genre. a total classic that found fame on the dancefloors via djs like david mancuso, larry levan and ron hardy it is the epitome of a roof-raiser. produced by philly legend bobby eli (mfsb, salsoul orchestra, stylistics, barbara mason) and mixed by underground disco legend john luongo this is an essential 12. originally performed by the o-jays jackies version ramps the energy right up to the max and cranks the heat up to 100. everything is here, killer driving drums and percussion, that bassline that drops, the cowbells, horns, strings and of course...... jackie! this is a straight repress of the 79 pressing on columbia and features the sweet b-side lets go somewhere and make love, another breezy philly number courtesy of mr. eli yet again. all round quality. this classic has been legally reissued by above board distribution in conjunction with the legal rights holders - sony music entertainment. this high quality repress features original columbia pink label disco 12 artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

to make it to album number three, a group has to make a compelling debut and then avoid the sophomore slump. if you reach that third record, you are supposed to be a professional, a stone-faced musical grown-up. but don’t tell that to de lux. after their 2014 debut voyager and 2015 follow-up generation, the la duo is gearing for its best and brightest lp, more disco songs about love. the difference between this album and all the rest? let s ask the band: we like to say voyage was our baby, generation was our baby all grown up and more disco songs about love thinks growing up sucks and just wants to party smart.

sonikku comes riding back into the lobster tropical gardens with a flurry of sparkling, arpeggiator-driven ambient jams featuring three extended reworks from nts regular mobbs.
sonikku’s originals apply a drier and skit-length pop approach to synth-based home listening. building a borderline-saccharine melodic base to each track then upping the sheen and the tropical & twinkling production. shots of balearic appear in earth temple, christmas jingles echo from the depths of diamond dust, while sky garden channels a more direct emotional palette of warm synthesizer heartbreak.
mobbs’ approach is to allow each track to breathe around it’s core strengths over a longer time frame, whilst enhancing and encouraging each element to make it’s space and time to enter the track. the shifts and swaying structures turn shorter synth ideas into fully blown journeys that become almost hypnotic by the end. a soft, dream-like ride into bliss.

tachyon audio is a new vinyl label that s focused on forward-thinking sounds in the techno realm targeting sweaty, dark places, with large, high-quality sound systems. inhabitants make a strong offering with their first ep as a duo, igc. these two primates are often found inhabiting dark spaces, forging ahead on complex math equations. their distinct, driving, mathematical, and drumming techno is a result. expect more solid work from these two mysterious beings on tachyon audio as the label continues its progression.

cryovac recordings seeks out characters that give depth to the soundscape of detroit s underground. cryovac individuals believe in their path and stand for their art. ray7 is a multifaceted musical being surviving an ever evolving technosphere. he is an unknown hero that holds his own sonicly on any side of the planet. ray7 provides the power needed for the cryovac machine to hatch a new plot. cryovac exists due to the efforts of craftsmen and artists that work together to make something unique. side a starts with an ancient zulu chant that provides protection as well as a funky sort of techno break pop. the next track grinds in to a ruff and gritty narration of ghetto mind-set under the influence of classic electro. a constant roll moves the last track into addition and subtraction inside of a spartan groove that breaks and turns with strength. side b opens with a busy 4/4 be-bop lackadaisically drifting with dreamy synth over the chatter of voice, hi-hats, and reverb broken down by a 303 buzzing. track two is a dark and sloppy incomprehensible subliminal sing-a-long building and ebbing around a stark kick and clap.

originally released in 1984, identical-twin-brother duo aleem’s release yourself gets a timely repress. this is an early electro masterpiece that goes a long way in showing what subsequent trends have inherited (vocal sample re-pitch, reverence for drum machines, etc.) and what, for better or for worse, they’ve largely discarded (infectious, funky positivity). they don’t make it like this anymore. comes with free titular advice to any artists struggling for label deals.

nicholas returns to church with a six track mini lp. correspondant welcome berlin duo hinode having established themselves with a string of well received cuts on their own science fiction imprint, they were spotted by chance by label boss jennifer cardini on a recent record-shopping jaunt. with a raw, no-rules sense of machine funk running through everything they create, they’re the perfect match for correspondant and make their label debut with four numerical delights. i lights the analog fire with raw sleaze and off-beat mischief. unkempt and wily, it sets the tone for the entire ep: ii writhes snake-like with its slinky kicks and purring textures, iii slurs with bass groans and shakes with paranoid, alien melodies while iv closes with much more of a tunnelling, sense-blurring experience. total machine harmony, unbounded synthetic creativity, made to mix and wholly outer-planetary. hinode and correspondant are a match made in the stars.

maya jane coles ist seit anfang der 2010er-jahre die sensation der londoner tech-house-szene. spätestens seit ihrem debütalbum im jahr 2013 genießt sie internationales ansehen.
sie trat in über 40 ländern rund um den globus auf und ihr hit »what they say« konnte sich unter anderem wochenlang in den top 3 der resident advisor-charts behaupten. zudem kann sie zahlreiche titelstories und auszeichnungen verbuchen. während sie unter ihrem eigenen namen hauptsächlich house-musik veröffentlicht, hat sie sich unter dem alias nocturnal sunshine vor allem auf dubstep spezialisiert.
»take flight« ist coles langerwartetes zweites album, das auf ihrem eigenen label i/am/me als 3fach vinyl-box

patrice scott s works make sistrum, his label, designing the shapes of what a classic house record must sound like. not only a nice guy, patrice is one of the most talented producers of the planet house and he naturally is respected for that. sounds of the city continues to put out the music of the originators sons and reborn goodness is probably one of the most important addition to the label s catalogue.

to celebrate its 2nd anniversary, pont neuf records reveals a new volume of his compilation series habemus paname vol. iii with the whole family of artists of the label. this third volume is a new opportunity to focus on the influences that make up the protean musical spectrum of the parisian label by mixing genres of electronic music.

smile for a while bring us a sizzling-hot re-issue on their - all that jelly sublabel with thumpin beats by chicago grandmaster jordan fields. this slice of black gold came out on large records in 1994 and was now carefully remastered by german sound guru herb lf. you ll hear devastating 909 drums with loads of chopped up latin-style samples all hardware-honed with drum machines and an mpc. basement-style house for all the oldschool lovers out there. we don t make dance records, we make records you can dance to!

the first ep of this new born vinyl label contains 4 tracks from frankfurt based producer and dj dave simon. these powerfull, hypnotic stompers are predestined to make the people dance and set the dancefloors on fire.
already supported by: marcel dettmann, dax j, sam paganini, slam, gary beck, mark broom, amelie lens, 2000 and one, keith carnal and many more.